TRADITIONS OF POLTAVA CARPET WEAVING IN THE ARTISTIC CULTURE OF UKRAINE

Y. Harkovyna

Abstract


The subject of the research is the traditions of making carpets from the Poltava region. The purpose of the work is to determine the artistic components of the development of Poltava carpet in the artistic culture of Ukraine of the XVIII – early XXI centuries. The methodology of work is based on a combination of the principle of scientific reliability and comprehensiveness, art history, cultural and design approaches, as well as axiological, ontological, hermeneutic, historical-genetic, comparative (historical-comparative), cultural, formal-stylistic and methodological analysis of art. The results of the work are designed to summarize the data on the traditional foundations of the classic Poltava carpet. Scope of results – today's artistic practices related to ethnic design, history of decorative and applied arts and art culture of Poltava region, art theory in the field of lordly, monastic and home carpets, creation of electronic courses for students and graduate students of creative specialties, development of educational sites and articles for encyclopedic and reference publications. Conclusions. It has been found that Poltava carpet weaving has ancient artistic traditions, rooted in the Baroque era. It is outlined that the techniques of making local carpets have not changed significantly during the last three hundred years, starting with the well-known carpet of Hetman Danylo Apostol. It is specified that the traditional lint-free carpets of Poltava began to be made not later than at the beginning of the XVIII century, when the aesthetic requirements of the then Ukrainian society appealed to the theory of Sarmatism with the corresponding vectors of oriental models to Western Asia and the Middle East. The connection of patterns of Poltava carpets of Ukraine of the XVIII – early XX centuries with ornamental and plot prototypes of European weaving centers in France of the Baroque-Empire period – Aubusson and Savoneri, which was in fashion for decor elements appealing to great European historical styles.

Key words: carpet weaving, Poltava region, Reshetylivka, Ukraine, XVIII – beginning of XXI centuries.


Full Text:

PDF

References


Іванова О. (2020). Полтавський килим ХVІІІ ст. URL: https://nmiu.org/novyny/1752-kolektsiia-nmiu-kylym-z-pokhovannia-danyla-apostola (дата звернення: 20.08.2020 р.).

Когут Г. (2003). Килим з гербом Павла Полуботка. Вісник Харківської державної академії дизайну і мистецтв. Харків: ХДАДА. № 1. С. 56–63.

Когут Г. В. (2003). Українські «панські» килими XVII–XVIII століття. (Історія та стилістика): дис. канд. мистецтвознавства: спец. 17.00.06; Галина Володимирівна Когут; Львівська академія мистецтв. Львів, 1–194.

Школьна О. (2018). Великосвітські мануфактури князів Радзивіллів ХVІІІ–ХІХ століть на теренах Східної Європи. Київ: Ліра-К. 192 с. : іл.

Школьна О. (2017). Східні мотиви в килимарстві Полтавщини ХVІІІ–ХІХ століть. Тези доповідей Міжнар. наук. конф. «ХХІ Сходознавчі читання А. Кримського», Київ, 17.11.2017 – 18.11.2017 р., НАН України, Інститут Сходознавства ім. А. Ю. Кримського. Київ. С. 52–53.

Mańkowski Tadeusz (1954). Polskie tkaniny i hafty XVI–XVIII w. Wroclaw: Zaklad Ossolińskich. 164 s.

Szuman S. (1929). Dawne kilimy w Polsce I na Ukrainie. Poznań, 67 s.

Rеferences:

Ivanova О. (2020). Poltavskyi kylym ХVІІІ st. Retrieved from https://nmiu.org/novyny/1752-kolektsiia-nmiu-kylym-z-pokhovannia-danyla-apostola (2020, 20 august). [in Ukrainian].

Kohut H. (2003). Kylym z herbom Pavla Polubotka [Carpet with the coat of arms of Pavel Polubotko]. Visnyk Kharkivskoi derzhavnoi akademii dyzainu i mystetstv. [Bulletin of the Kharkiv State Academy of Design and Arts]. Kharkiv: KhDADA. no 1, 56–63. [in Ukrainian].

Kohut H. V. (2003). Ukrainski «panski» kylymy XVII–XVIII stolittia. (Istoriia ta stylistyka): dys. kand. mystetstvoznavstva: spets. 17.00.06; Halyna Volodymyrivna Kohut; Lvivska akademiia mystetstv. [Ukrainian «gentleman's» carpets of the XVII-XVIII centuries. (History and stylistics): dis. Cand. art history: special. 17.00.06; Halyna Volodymyrivna Kohut; Lviv Academy of Arts]. Lviv, 1–194 [in Ukrainian].

Shkolna O. (2018). Velykosvitski manufaktury kniaziv Radzyvilliv KhVIII–KhIKh stolit na terenakh Skhidnoi Yevropy [Great secular manufactories of the Radziwill princes of the XVIII–XIX centuries in Eastern Europe]. Kyiv: Lira-K. 192 p.

Shkolna O. (2017). Skhidni motyvy v kylymarstvi Poltavshchyny XVIII–XIX stolit [Oriental motifs in carpet weaving of Poltava region of the XVIII–XIX centuries]. Tezy dopovidei Mizhnar. nauk. konf. «XXI Skhodoznavchi chytannia A. Krymskoho», Kyiv, 17.11.2017 – 18.11.2017 r., NAN Ukrainy, Instytut Skhodoznavstva im. A. Yu. Krymskoho [Abstracts of reports International. Science. conf. "XXI Oriental Readings of A. Krymsky", Kyiv, 11/17/2017 – 11/18/2017, National Academy of Sciences of Ukraine, Institute of Oriental Studies named after A. Yu. Crimean]. Kyiv, 52–53. [in Ukrainian].

Mańkowski Tadeusz (1954). Polskie tkaniny i hafty XVI–XVIII w. [Polish fabrics and embroidery from the 16th to 18th centuries]. Wroclaw: Zaklad Ossolińskich. 164 p. [Wroclaw: The Ossoliński factory]. [in Poland].

Szuman S. (1929). Dawne kilimy w Polsce I na Ukrainie [Old kilims in Poland and Ukraine]. Poznań [Poznan], 67 p. [in Poland].




DOI: https://doi.org/10.26886/2414-634X.6(42)2020.13

Refbacks

  • There are currently no refbacks.